22.03.2024
Music
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Lisa Ullén, Elsa Bergman, Anna Lund - Space

Lisa Ullén, Elsa Bergman, Anna Lund - Space

So this is what you get:
8 distinct imprositions; comprovisations; made up,
spur of the moment, as the 3 musicians get into it.
And how
They get
Into
There
How they get
There
I don’t know, but it’s all
There and nowhere
Else
There’s music you listen to, and there’s music that makes life worth living. Music that opens
Like
When they stop playing
Makes listening worth
While
Music
Just goes its way
Knowing exactly where to go
Always stopping
Exactly
The moment
You want to hear
More
The music halts, opens
Space
– improvisations with the clarity of compositions –
Coming to a standstill
Look. builds intensity; never. lets up on the underlying drive
The Immeasurable; longer. starts slowly
All At Once. Yeah, at once, all
Cyclops
Bleach
Rage
Composure
Blood & Money. Yeah, Blood, honey, Blood

Lisa Ullén piano - Elsa Bergman double bass - Anna Lund drums

Lisa Ullén is a pianist and composer, born in Seoul, Korea, raised in the north part of Sweden. She has fronted her own quartet, since the mid nineties, and to date has released as a pianist over 30 albums . She studied at the Royal Musical Academy, Stockholm, and conducted further studies
in jazz at Chapel Hill, North Carolina, USA, EAM at the electronic music studio EMS in Stockholm and the Royal Institute of Art. She has been working for many years in the field of improvisation, free jazz and contemporary art music. Ullén tours internationally, solo as well in different groups.

Elsa Bergman was born in Täby, north of Stockholm in 1989. Studied double bass in Trondheim, Norway at Sund Folkehøgskole and later the Music Conservatory Jazz departement. Moved back to Stockholm in 2012 and has since then been working in different groups in the field of free jazz and
improvisation. Released her solo debut A on her own label in 2021.

Anna Lund, based in Stockholm Sweden, is a freelance drummer who works in several different free jazz, improvisation and pop-constellations .

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